Car: Vroom vroom...C'mon I'm waiting? I thought you were dead on that they had low credability? I added a huge chunk of missing data to it...
#26
Annual Editions: Western Civilization, Volume 1, 13/e, Volume 1
Nothing was wasted in the ancient world: not an abandoned baby, not the cloth that kept the ragpicker in business... not even the grains of barley in ... wonldjvin, parks of hnnnrk always beat herds of deer, bears withstood bulls, and lions usually finished off tigers.
http://www.google.com/search?q=Annu...inished+off+tigers.&tbm=bks&tbo=1&btnG=Search
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#27A German Archeologist has disphered a Greek remnent that protained to a venatio event of a free for all fight amoungs beast an men, having a lion kill 2 tigers
Von bubna und littitz
Von wo der larm zu ihm drang, dorthin ritt er schnell,
Auch wenn sein pferd scheute und saumte.
An dem tosenden ort rang ein lowen im duell,
Der sich im kampf gegen zwei tiger aufbaumte
Einem gegen Zwei man helfen musste,
Sprach er, griff flink zur lanze und hehr,
Eh das ungetrum von ihm wusste
Stieb er in einen der tiger den speer
das epos setzt nach den etablierten regeln ahnlich romantischer Ereignisse fort
herman eilt, nachdem er den ersten tiger erlegt hatte, dem lowen im kampf mit dem zweiten tiger zu hilfe, nur dass der lowen in der zwischenzeit den tiger totet und sich aus dankbarkeit, uber und uber mit blut bedeckt, seinem retter zu fuben legt. Bubna wascht und reinigt dessen wunden besteight darauf
By Bubna and Littitz
Where the larm reached him, there he rode quickly,
Even when his horse shied and saumte.
At one place the roaring lions wrestled in the duel,
In the fight against two term aufbaumte
Two against one had any help,
Speech he attacked, nimbly lance and sublime,
Eh the ungetrum he knew
Stieb it into a term of the spear
the epic is similar to the established rules on romantic events
herman hurries after he had killed the first term, the lions in the battle with the second term to help, except that the lions in the meantime kills the tiger and is covered from gratitude, over and over with blood, his savior sets fuben to. Bubna washes and cleans the wounds besteight out
I'll try an translate it better next time around.
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#28 Italian of Baglugs antiquitys of Rome
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#29 Latin printings of a lion with a death grip on a tiger...
Reproducted by Edawrd landseer France
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#30
Latin Ring Brooch of a lion defeating a tiger...
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#31
The Gentleman's Magazine
Fight In Italy Verona a lion defeats tiger
Mr. Bolton said that a friend of his saw, in the circus at Verona, a battle between a lion, and a tiger, a horse, and an ass. The tiger at first shewed symptoms of fear, and wished to decline the battle with the lion. He fought however at last with great fury j but, though he foiled the lion for a time by his alertness, soon yielded on a close contact to the other's matchless strength. The horse was dreadfully terrified from the first, and became an easy conquest. The ass, the last attacked, was all the time quite unconcerned, browzing on the ground, and when at length assailed, bit and kicked with great fury, but in the end fell. The lion chiefly used his paw, with which he struck tremendous blows..
http://books.google.com/books?id=y2...ue+lion+tiger+fight&ie=ISO-8859-1&output=html
~A. Dodd and A. Smith, 1834
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#32
In the amphitheater of Caerleon lions an tigers fought an there is a artifact of a lion killing a tiger for a antelope imprinted on a latin greek vase
http://books.google.com/books?id=ig...a=X&ei=kaePULmoDYGIiwK794HYAw&ved=0CCAQ6AEwAw
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#33
A TIGER roaming for his prey,
Sprang on a traveller in the way;
A lion came to claim the prize
And soon the greedy tiger dies.
The man then knelt, his life to crave;
His life the lion hero gave,
And him bespoke," You saw the fight
And must confess my power and might,
Within these woods I reign alone,
All other beasts my sway must own."
"True," said the man, "the strength 1 saw, All kinds of beasts full well might awe,
~Aesop (pronounced /?i¢?s?p/ EE-sop, Ancient
Greek: Éü?ÉÉ÷<pi>ÉÕV, Aisÿpos, c. 620564 BC)
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#34
Blackwood's Edinburgh magazine, Volume 27
No body doubted his courage in the ancient world and the
romans thought him a brave and noble animal
in amphitheaters he always fought with style that gave credit to the desert
a tiger run an flees before the lion
http://books.google.com/books?id=Bx...a=X&ei=w-7dUMb8LYj-igKB9oH4DQ&ved=0CFQQ6AEwCA
~W. Blackwood & Sons, 1830
35
"I have seen no fiercer beast than yon lion, even in the amphitheatre of
Rome,"
http://books.google.com/books?id=DO...a=X&ei=Od0GUf2DKaK6igLx7YGYDQ&ved=0CCMQ6AEwBA
The works of Edward Lytton Bulwer, esq. in two volumes, Volume 1
E. L. Carey and A. Hart, 1836
http://upload.wikimedia.org/wikiped...tian_Martyrs'_Last_Prayer_-_Walters_37113.jpg
36
A Tiger, roaming for his prey,
Sprung on a Traveller in the way;
The prostrate game a lion spies,
And on the greedy tyrant flies:
With mingled roar resounds the wood,
Their teeth, their claws, distil with blood;
Till, vanquished by the Lion's strength,
The striped foe extends his length.
The Man besought the shaggy lord,
And on his knees for life implor'd:
His life the generous hero gave.
Together walking to his cave,
The Lion thus bespoke his guest:
'What hardy beast shall dare contest My matchless strength? you saw the fight, And must attest my pow'r and right. Fore'd to forego their native home, My starving slaves at distance roam.
Drawn by:
Richard westall
At this time it was not uncommon to find Italian engravers working in England. The famous stipple engraver, Francesco Bartolozzi (Venice, 1727 - London, 1815) moved to London in 1764 and not long after established a large and influential school with many English and Italian followers, which continued into the early decades of the nineteenth century.
* It is not known which London publisher commissioned This engraving entitled, Welch Peasants. What is known is that it is one of a set of three dealing with the rustic life of Scotland, Wales and Ireland. Each was engraved by Giuseppe Bortignoni and designed by Richard Westall. The engravings were hand-coloured at the time of publication.
Richard Westall: Some of the finest British engravings from the late eighteenth and early nineteenth centuries were designed by Richard Westall. After attending the Royal Academy schools in London (1785), Richard Westall devoted himself to history and landscape subjects. He was an early practitioner of the watercolour medium and many publishers of illustrated books soon sought his designs for publication of illustrated editions of Gray, Moore, Crabbe and other poets of the day.
http://www.artoftheprint.com/artistpages/bortignoni_giuseppe_welchpeasants.htm
.37.
Proof that all the historical documentations are translated from Greek and Roman Authors
~Works of the British poets: Including translations from the
Greek and Roman authors
John Sharpe, 1828
http://books.google.com/books?id=UI...a=X&ei=3uAGUc6eF8WUjAKem4BY&ved=0CEEQ6AEwBDgK
http://bks3.books.google.com/books?...1tPq1j4DMlDYdMABpKUAEsqKureJ_Cgz7oNPl9EoPew-8
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